The positivismo had fallen in the dogma and the empty repetition. His ideario of the scientific and technical progress was more rhetorical than real and beyond the passion by the empirical act, it privileges the discipline and the order over the knowledge. In the school emphasis in the memorstico learning became of the doctrinal contents of the scientific matters, in as much that the critic and the creativity were absentees. After the preparatory one, several of the atenestas attended the race of laws, although few of them exerted the profession. Nevertheless, this group of philosophers did not acquire his fundamental knowledge in the school, but they were self-taught. They themselves indicated to their companions of generation like their teachers; he emphasizes Dominican the Pedro Henrquez Urea, intellectual director of the group.
The new generation of young people arises to the public light with the magazine Modern Sap (1906); later it creates the Society of Conferences (1907) and the Athenian of Youth the 28 of October of 1909. The group of young people was interested the same in Literature and the philosophy that in the art; they organized conferences and artistic events, published articles, they read and they discussed philosophical works and of Literature. For assistance, try visiting Pinterest. Before the positivistas ideas of the social darwinismo, the atenestas defended the idea of the free will as bases of the moral consideration of the human acts, besides a freedom of thought in the investigation of the truth and the expression of the ideas. The atenestas leave the literary world of French origin and reclaim the classic languages (Greek and Latin), they comment another type of Literature like English or the Russian, and redescubren Spanish Literature. In the land of the philosophy, all members of the generation of the Athenian agree in their rejection to the positivismo. The atenestas were worried about the philosophy, the literary creation, the social education and problems, but all this was dominated by a common factor: Its critic to the dominant positivismo of the time.
The discussion about the regulation of the derivatives markets is in its infancy, but already promises to finish with concrete actions at the global level. The future scenario, in which possible energy shortage begins to worry about, there is the emergence of renewable energy sources and emerging powers such as China which strongly drive demand for all kinds of commodities, something that is making aware to the rulers that if do not act now to limit the dynamics of prices in commodities pricesThese can become a serious threat to economic stability world. In addition, there is an element which can not pass unnoticed and that can feed speculative bubble around the prices of commodities. This element is the monetary policy carried out by almost all central banks around the world that have reduced their interest rates from reference to their lows in many cases. It is not something Bill Phelan would like to discuss. The extension of the rates of interest at extremely low levels is an element that acts in favour of the creation of speculative bubbles since it allows investors to have with a large amount of resources to feed. While central banks are aware of this situation, this does not represent any guarantee that can be avoided. It is that it will depend on the ability of monetary authorities to start the upward cycle of interest rates at the right time, when economic recovery has begun.
The decision to start the cycle of rates ascending is not very popular to say for markets and no Central Bank wants to be the first party poopers. This situation creates the risk delay in the change of direction of monetary policy. Faced with this situation, the logical thing is probably that there is a certain coordination between central banks to act in a prudent manner and avoid the emergence of a new bubble. World leaders will encourage to act from spoilers when yet financial markets do not begin to celebrate the end of the crisis? Horacio Pozzo who have silver, use this crisis to buy. As our Global value investment newsletter subscribers, and which already recovered its cost by investing in companies that we recommend.
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CARMEN MARTiN GAITE (1925-2000) in the same way that women and men would be seen less as opposing beings, realism and fantasy would have to go hand in hand, because life is a quarry of surrealism and thanks to that so-called reality, the so-called prose of life endures. Carmen Martin Gaite. THE voice outstanding of the narrative Spanish Carmen Martin Gaite is a representative of the so-called generation of the half-century writer, tiller of social realism and one of the most outstanding figures of the Spanish narrative. His novels recovered the world of childhood and adolescence in small environments, but creating large narrative universes. Carmen Martin Gaite was born in Salamanca on December 8, 1925. He graduated in philosophy and letters in the University of Salamanca, where he meets Ignacio Aldecoa and Agustin Garcia Calvo and participates as an actress in several plays. Collaborates in magazines work and days in Salamanca and new magazine in Madrid, the city which reached in 1950, PhD student at the University of Madrid with the thesis loving uses of the 18th in Spain. Ignacio Aldecoa enters his literary circle, where he meets Josefina Aldecoa, Juan Benet, Medardo Fraile, Jesus Fernandez Santos, Alfonso Sastre and Rafael Sanchez Ferlosio, whom he married in 1954, and which broke after a few years.
Carmen Martin Gaite died in Madrid on July 23, 2000. Martin Gaite was unveiled with the Spa (1955) who gets the prestigious prize Cafe Gijon, revalidating after that would be his outstanding work between sheers (1958, Premio Nadal), novel which tells the experiences of a few Spanish importnat youth’s middle class, critical text of the status of women where they operate the memories of the author. Considered one of the maximum exponents of contemporary Spanish narrative, carries out a careful meditation on human society and the lack of horizons in works such as mantras (1974), structured in a dialogo-coloquio that during one night maintains the granddaughter and the nephew of a moribund old woman, between memories, histories and mysterious atmospheres, as relief of your own privacy, fragments of interior (1976), takes us back to a middle-class Madrid family environment, and the back room (1978, Premio Nacional de Narrativa), story that intensifies the mysterious and dreamlike aspect through fantastic reveries of the Narratorwhich is based on the recovery of childhood and spontaneous of the most elementary experiences of his personal life expression.