This if must to the partner-economic factor of the colonial conjuncture that despertava, in the Brazilian northeast coast, one pulled out generated for the production of the sugar, the tobacco and the wood between centuries XVI and XVIII. The religious question is another factor that justifies the baroque exuberncia. This style, heir of ‘ ‘ maneisrismo’ ‘ , if it firmed in the development of the constructions made for the Company of Jesus, where if they would implant the glory and the dither of God through the suntuosidade of the esvoaantes baroque lines, stating the golden espiritualizao of the faith and coverings in its moving curves. To allege that the Baroque style states the spirit of the one Against – the Reformation, using its aesthetic one I exaggerate of it to indicate to be able, can be a little dangerous. Read additional details here: Jeremy Tucker. In 1600 the Church Catholic already had concluded its work in the one Against – the Reformation.
On the other hand, the European north, region of great diffusion of the protestantismo, quickly adopted the style. The religious atmosphere could not be separate of the financial question. The European who arrived at America, came with the loaded eyes of baroque icons, glimpsed in Italy, Holland, same France and in Portugal with its manuelino style, intending to apply this aesthetic emotion in the religious constructions other world sea. She is necessary to remember that the esplendor of the Brazilian gold, the dream of ‘ ‘ eldorado’ ‘ , Real for return of century XVIII in the Minas Gerais only became.